anybody else get the feeling that he's just wanting to wrap this thing up?
Look this is about as deep as I am going to analyze a piece of art by somebody else, otherwise I will sound pretentious. (deep breath) Here goes:
In order, there are a few major themes in Achewood I've seen, in
descending order of importance:
- At the core of Achewood is a lasting and abiding friendship between Ray and Beef. That's something you see in every strip. Never have they come to blows, I don't even think they've come to a shouting match (Volvo of Despair is an exception). Despite their different backgrounds and different outlooks on life, there is a fundamental friendship and charity that we all would do well to show in our lives. You wouldn't expect Fred to clothesline Barney so he can mate with Betty, would you? Try to keep that in mind.
- Major plot developments for Beef tend to happen in, or as a result of, his trips to Heaven. That's where the story for him usually starts.
- Achewood is, in most cases, a
comedy. Everyone brings to mind the Ice Cream Shop and Cartilage Head as exceptions, but even those were really big buildups for
cheap laughs ("Oh man if Tori Amos was here right now she would need so many hugs from me")
- We still have the Story of Molly Sanders and this is a perfect segue into it.
- Onstad likes to shake things up a little. But just a little. No one is fundamentally and drastically altered. Even Lyle's genteel nature upon scotch deprivation has been a) hinted at in some of his extracurricular activities, and b) humorously and quickly reversed.
So let the fight wrap up quickly and let's see where the real humor is.