Well, carlos, (whited out to prevent spoilers)in the case of number 2, he was dressed as a nurse, so, I'm sure he had lots of time. I mean, didn't you notice how well he rocked the swagger of wearing that cute little dress?
What really bothered me was, how come every phone in Gotham could do that sonar thing. Did everyone buy new phones? Otherwise, I find it really hard to believe the technology was preexisting in the majority of phones to do that.
In the end, I really enjoyed Health Ledger's performance, even though I went in very skeptical with all the buzz. I didn't really like Bale's performance - the way he differentiated his voice between when he was Wayne and when he was Batman really annoyed me.
Another thing that really bothered me was the way they used Gordon's family to manipulate the audience emotionally. I mean, the wife is basically a non-character who we see weeping from sorrow, then joy, like emotional tags of how we're supposed to feel. Under analysis, when he goes to his wife to reveal that he's not really dead, it's within seconds that Two Face plunges to his death, and Gordon instantly comes running behind Batman to check out the corpse where it fell. Dude, you let your wife and child believe you were dead, and you're all "Hey, honey, I'm not dead after all - oooh hold on a sec. There'll be time for hugs and explanations later, I want to go look at a dead body with my buddy Batman. Oh, and never mind protecting our son from the horrible gore of seeing a corpse, just let him run out of the apartment behind me. Seeing Two Face lying dead and mangled in a pool of his own blood won't scar him for life, especially if he can catch another glimpse of Batman! I mean, how cool is that?" That sort of writing short hand... I dunno. I think it's unnecessary to hold up simplified flashcards for an audience about what they're supposed to feel like that. But maybe that's just me.
I did enjoy it for what it was, as a popcorn flick. I think it's a little soon for some of the declarations I've heard in the media of this film as a classic just because it made a lot of money. Great films, the real greats that stand out over time, they're a little more ambiguous than this one, they leave the door opened so that 10, 20 years from now you can still watch it and ask questions of the art and of yourself. They leave a window open so that your impression can change, so that it means different things to you at different points in your life and I don't feel like this flick does that.